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Certain Regard
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Critics' Week
----Directors' Fortnight









Critics' Week

In its 39th year, the Critics' Week is seeking to uplift its profile as a Cannes festival selection. Headed by José Maria Riba, this parallel selection offers seven features and seven shorts from promising filmmakers. Of the seven features, six are first films and in competition for the Camera d'Or (excepting Krampack), six are world avant-premieres (excepting Good Housekeeping, also presented at Sundance) and two are made by women (Les autres filles and Hidden Whispher). These films are in competition for Critics' Week's Best Feature and Best Short awards.

Bernardo Bertolucci is to be the selection's Godfather; he himself was brought into the limelight as a budding filmmaker in this selection with Prima Della Rivoluzione (Before the Revolution) in 1964. Critics' Week will also include a special "encounter" with Melvin Van Peebles - actor, musician, writer and journalist - who will present his latest made-in-France film shot in digital format, Le conte de ventre plein. Among the other special screenings, Cites de la plaine - also made in France - is the last film by the late Robert Kramer, FIPRESCI is presenting Soft Fruit by Christiana Andreef (Australia), the Critics' Week Forum will present Comme un aimant by Kamel Saleh and Akhenaton (France) and the European Coordination of Film Festivals is presenting Italia non é un paese povero by Joris Ivens.

In the perspective of social causes, Action Contre la Faim is presenting the documetary Nouvel ordre mondial...quelque part en Afrique, while a regional centre for the prevention of AIDS has asked 24 filmmakers to make a "petit film" emotionally treating the subject of drug addiction. Ten will be presented in the framework of Critics' Week on 16 May, attended by certain filmmakers and actors: Guillaume Canet, Chiara Mastroianni, Georges Lautner...

In view of the fact that 80% of the festival-goers travel via Paris' Orly Airport, Critics' Week is offering seven short films selected in 1998 as "entertainment" while waiting for scheduled flights to leave. The operation intends to provide young filmmakers a chance to share their films and latest professional projects.

Claire Clouzot
Selection Committee Member

Claire Clouzot

Seven men and one woman -myself- screened 410 feature films for the 39th International Critic's Week at the Cannes Film Festival. We focused on first-timers and second-timers. It was exhausting, exciting, titillating and sometimes very brutal. The world is reflected in the films we saw and in the films we selected.

If I am to give an overall impression, it is one of chaos, psychological difficulties, conjugal difficulties. We counted the number of car accidents: very many. Women are everywhere: before and behind the camera. The gay world of Spain, New-York and Great Britain invaded us. On the whole, the seven films (seven films for seven selectors) reflect this chaos, these couples, these women.

Claire Clouzot presents each of the seven films and why the committe selected them.

Claire ClouzotClaire Clouzot



Tell us about the committee and how many films were viewed?
Is there a re-occuring theme in the films viewed?
Why are there so many women filmmakers in France as compared to elsewhere in the world?
Are there any American films in the selection t
his year?

Features

Short Films

Happy End - Jung Ji-Woo (South Korea)

Les Autres Filles - Caroline Vignal (France)

Amores Perros - Alejandro Gonzalez Inarritu (Mexico)

Hidden Whisper - Vivian Chang (Taiwan)

Krampack - Cesc Gay (Spain)

De l'Histoire Ancienne - Orso Miret (France)

Good Housekeeping - Frank Novak (US)

Le Dernier Reve - Emmanuel Jespers (Belgium)

Faux Contact - Eric Jameux (France)

To Be Continued - Linus Tunström (Sweden)

Le Chapeau - Michele Cournoyer (Canada)

Les Meduses - Delphine Gleize (France)

The Artist's Circle - Bruce Marchfelder (Canada)

Not I - Neil Jordan (Ireland/UK)


Cannes 99 - Cannes 98 - Cannes 97 - Cannes 96 - Cannes 95