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A lthough Kadosh (Sacred) is down in the festival book as the first Israeli film in a quarter-century to compete at Cannes, Amos Gitai is a familiar face on the international festival circuit. The Paris-based director's Esther, an Israeli-French co-production lensed partially by the eminent French cinematographer Henri Alekan, was invited to participate in the Critics' Week at Cannes in 1986. Three years later, his collaboration with Alekan and Israeli cinematographer Nuritz Aviv - Berlin Jerusalem (France, 1989), about German writer Else Lasker-Schüler's emigration to Israel - was invited to Venice. |
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The hat-trick of adding Berlin to the string of Gitai/Alekan festival triumphs came eight years ago, when Golem/The Spirit Of Exil (France, 1991) - a cross-European co-production about exiles and emigrants - premiered at the 1992 International Forum of Young Cinema as part of a four-film tribute to the director. Starring Hanna Schygulla and such screen and stage luminaries as Samuel Fuller, Bernardo Bertolucci, Marceline Loridan, Philippe Garrel, Sotigui Kouyate (Peter Brooks ensemble) and Antonio Carallo (Pina Bausch Dance Company), the film also completed a fine trilogy on exile and emigration. "All my films focus on exile," confirmed Amos Gitai in a recent interview, "be it inner exile or the exile of a people displaced in space or time - like this community which brings us back to reflections of the past. "
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| Kadosh might be just as controversial when it appears on Israeli screens. Co-scripted with Eliette Abecassis - because Gitai wanted a woman's perspective - it is the story of two sisters, Rivka (Yaël Abecassis) and Malka (Meital Barda), who live in a community where the rabbi has the last say over everyone's lives. Because Rivka has been infertile for 10 years, the rabbi decrees that she should be abandoned by the husband who loves her nonetheless, in favour of another wife. As for the unmarried Malka, the insistence is on her to marry the rabbi's faithful religious assistant. Both women face a difficult choice - whether to accept the decision or rebel. | |
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Fiction or not, Amos Gitai's films are always based on fact and thorough research of the subject matter. In his widely praised documentary on The Wadi 1981-1991, he spent a decade exploring the possibilities and impossibilities of full integration between countless social fractions in Israel, within the microcosm of a Haifa slum. In the feature film Devarim (1995), presented at Venice, he adapted a well-known Hebrew novel to the screen in such a way as to compare the contradictions within modern-day Tel Aviv life. Much the same holds true for Kadosh, a portrait of the city of Jerusalem as well as of a community. Ron Holloway |
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| Film Credits | |
| Producer | Michel Propper, Amos Gitai | Director | Amos Gitai |
| Screenplay | Michel Propper, Amos Gitai |
| Editing | Monica Coleman, Kobi Netanel |
| Photo | Renato Berta |
| Music | Philippe Eidel |
| Decor | Miguel Markin |
| Costume | Laura Dinulasco |
| Cast | Yael Abecassis, Yoram Hattab, Meital Barda, Uri Ran Klauzner, Yussef Abu Warda, Sami Hori, Lea Koenig, Alvka Michaeli |
| Running time | 110 min |
| Sales | UGC International |