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Even by Taiwanese New Wave standards, Chang Tso-chi paints a pretty uncompromising picture of his homeland. His second feature, Ah Chung (1995), was an in-your-face piece of social comment punctuated with downbeat scenes of raw, abrasive violence, expressing a frustration that was gruelling in its immediacy: "There's money here... but how can you get it?" laments its unfortunate and eponymous anti-hero. Darkness And Light, Tso-chi's third film, continues to look at the plight of those who have to make their way on society's lower economic strata, but with a fresh angle. "My wife complained that all my projects seemed to be dealing with a very male world of violence and gangsters," says the director, who married last year. "So she asked me to try to do something about a male-female relationship. A love story." The story focuses on Kang-Yi, a girl from the fishing town of Keelung, who comes home for the summer holidays after studying at college in the Taiwanese capital, Taipei. Her father, blinded in a car crash that killed his wife, is working as a masseur - not an uncommon profession for the blind in the East - and one of Kang-Yi's tasks is to escort her father on trips to clients' houses. During one of these trips she meets Ah Ping, a young triad gangster, and falls in love with him. This infuriates a jealous friend of Kang-Yi, another triad, who sparks an inter-gang war that can only end in tragedy. The last few years have seen Taiwanese cinema enter several new phases. The first saw an interest in history and identity - what it is to be Taiwanese. Then came a focus on the citizen's relationship with modern society and the changes that it has brought, perhaps best illustrated by Tsai Ming-liang's first two movies. Thirdly, there has been a gravitation deeper into the psyche of protagonists, as with Lin Cheng-sheng's Sweet Degeneration. With its mystic finale, Darkness And Light looks set to broach phases two and three - matching the almost primal emotions of Ah Chung. Graham Roberts |
| Film Credits | |
| Producer | Chen Xisheng, Lu Shih-Yuan | Director | Chang Tso-chi |
| Screenplay | Chang Tso-chi |
| Editing | Chen Po-wen |
| Photo | Chang Tsang |
| Decor | Lee Fu-shiung |
| Musique | Hugo Panduputra |
| Cast | Lee Kang-Yi, Tsai Ming-shou, Shie Bau-Huei, He Huang-Ji, Lu Ing |
| Running time | 102 min |
| Sales | T-Mark Inc |