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Yugoslav
cinema is alive and well - despite boycotts, corruption, a thriving black
market and the hailstorm of bombs falling on Belgrade. Need an example?
Then stop by to see Lazar Ristovski's debut feature Belo Odelo (The White
Suit). It's there because Yugoslav directors always seem to work best under adversity. How else to explain the success last year, when Emir Kusturica's Black Cat, White Cat walked away with a prize at Venice and Goran Paskaljevic's Balkan Powderkeg was voted the FIPRESCI Prize at the European Film Awards? |
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The best Serb film-makers specialise in black comedy - that is, social themes shot from a knee-deep-in-thick mud perspective, or honest, forthright, no-holds-barred cinema. Lazar Ristovski, a familiar face on the Yugoslav screen from his variety of roles (Underground, Tito And Me, Balkan Rules) plays the lead, Savo, a warm-hearted army recruit from the provinces. When he receives an emergency telegram from his brother to hurry home because his mother is dying, asking him to "please bring along the white suit I gave you" - he hurries off to catch a rickety train. Along the way, he meets and falls in love with Carmen (Radmila Sogoljevica), a beautiful Russian hooker who gets on the train with her pimp. Veteran actors Bata Zivojinovic, Dragan Nikolic, and Bata Stojkovic appear in cameos. Ron Holloway |
| Film Credits | |
| Producer | Lazar Ristovski, Emina Omerdic | Director | Lazar Ristovski |
| Screenplay | Lazar Ristovski |
| Editing | Petar Putnikovic |
| Photo | Milorad Glusica |
| Music | Srdjan Jacimovic |
| Decor | Milenko Jeremic |
| Cast | Lazar Ristovski, Radmila Sogoljeva, Dragan Nikolic, Velimir-Bata Zivojinovic, Danilo-Bata Stojkovic, Bogdan Diklic, Branimir Popovic, Renata Ulmanski, Bojana Maljevic, Katharina Gojkovic, Zdena Hurtecakova |
| Running time | 92 min |
| Sales | The Sales Company |