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Interview with Dieter Kosslick about the 2014 Berlinale editionClaus Mueller, www.filmfestivals.com NY correspondent with german blood, was privileged to sit down at the end of the Berlinale with Dieter Kosslick, the Festival Chief.
CM: Thus you have a supermarket of different approaches and themes? CM: We have the clusters you noted. What about other clusters? CM: If you look at film markets there seems to be a tremendous growth of film productions. Some like Beki Probst (Director of the Berlinale’s European Film Market) suggest that there are too many productions. What to do you think accounts for this increase of film and documentary productions? CM: If you think of German productions, there is large increase of German films in the competition and other Berlinale programs. How do you assess this? CM: I understand that in Germany about 340 million euros are provided per year to support German film productions. I wonder how this greet amount of support funding, unheard of in the USA, impacts the quality of the films produced. One of your collaborators actually suggested one should stop funding for one year to see what will happen. CM: In the United States there is virtually no [public sector] financial support for independent filmmaking, yet a large number of films are produced, possibly due to the ever-growing number of young filmmakers. Some of these films can claim quality. CM: Do you share the view that the number of mediocre films has increased? CM: In our past interviews with you noted frequently that there is a limit of growth for the Berlin film fest. True, this year there are no new programs or side bars but each section seems to have expanded. Why is that? Your popularity? CM: But you may have new programs? CM: In other words the fragmentation of the audience is impacting your festival? CM: Is this linked to the multiplication of new programming platforms? CM: To clarify, does this entail you are expanding the Berlinale into television programs? CM: What about long form television programs such as the House of Cards, apparently more of these programs are offered at the market? CM: In the USA you have more and more well-known film directors and actors working in television which has an impact on the quality of television programs. CM: What are your criteria for a successful film festival? CM: Several years ago you mentioned that attending the festival may lead to more visits of cinemas after the festival is over. CM: What is the current funding level? CM: Several years ago you mentioned that you may consider a change in the management structure of the Berlinale given your tremendous workload. But it has not happened and you are running the show. Any comments? CM: Thank you very much for your time
10.03.2014 | Berlin's blog Cat. : PEOPLE
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Berlin 2019: The dailies from the Berlin Film Festival brought to you by our team of festival ambassadors. Vanessa McMahon, Alex Deleon, Laurie Gordon, Lindsay Bellinger and Bruno Chatelin...
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Comments (1)
Thanks Claus!
THank you Claus for a great interview - great insight!
cheers