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American Film Market Dailies


AFM Poster
NOVEMBER 1 - 8, 2017  SANTA MONICA

Every Fall, the Global Film Industry Converges in Santa Monica: Filmmakers, producers, directors and writers from around the world come to AFM to gain exposure, discover new projects and make deals. The American Film Market & Conferences is the largest motion picture trade fair in the world. 

Circulation of our newsletter 165 000 I Facebook AFM Photo Gallery I Twitter 

Our AFM Newsletters will run:  
Pre roll newsletter N° 1 (October  18)
Pre roll newsletter N° 2 (October  25) 
Opening Newsletter N°3 (October 30) 
N°4 (November 2) 
N°5 (November 3)

N°6 (November 4) ANIMATION IN FOCUS  
N°7 (November 6) 
N°8 (November 8) 

Final wrap newsletter N°9 (November 10) 




AFM 2016Pre roll N° 1 I Pre roll N° 2 Opening Newsletter N°3 I N°4 I N°5 I N°6 Focus on ANIMATION  I N°7 I Final wrap
AFM 2015:   Newsletters N° 1 I N°2 I N°3 I N°4 I N°5 I N°6  N°7 I N°8N°9 I N°10
AFM 2014:   Newsletters  N°1 N°2 N°3 N°4 N°5 N°6 N°7 N°8


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American Film Market to Host Global Industry Experts at Conferences, Roundtables and Workshops

Speakers include Focus Features’ Kiska Higgs, Lionsgate’s Thomas Hughes, OddLot Entertainment’s Adrian Alperovich, Producer/Agent Cassian Elwes, Skydance Media’s Jesse Sisgold and STX Films’ Sam Brown

 

 

The American Film Market (AFM®) today announced its full list of speakers for their conferences, roundtables and workshops. A large number of leading independent producers, distributors, financiers and marketing executives are confirmed to participate. This year’s market is taking place November 1 - 8, in Santa Monica.

 

Conferences on finance, pitching, production and distribution connect attendees to thought leaders from across the industry, providing exclusive access to insider knowledge. Roundtables explore specialized topics and timely issues in an intimate setting.

 

Confirmed speakers and moderators, in alphabetical order, include:

 

  • Adrian Alperovich, COO, OddLot Entertainment
  • Adrian Ward, SVP & Manager, Entertainment Industries Division, Pacific Mercantile Bank
  • Alexis Garcia, Partner, Global Finance & Distribution, WME
  • Alison Thompson, Co-President, Cornerstone Films
  • Andy Bohn, Co-Founder & Partner, The Film Arcade
  • Anjay Nagpal, SVP Production & Distribution, Bron Studios
  • Anna Godas, CEO, Dogwoof
  • Barbara Mudge, President & Founder, Worldwide Film Entertainment
  • Ben Stillman, SVP, Black Bear Pictures
  • Brian O’Shea, CEO, The Exchange
  • Bruce Eisen, President, Digital Advisors
  • Cassian Elwes, Independent Producer/Agent
  • Christine D’Souza Gelb, Agent, WME
  • Clay Epstein, President, Film Mode Entertainment
  • Cynthia Tollett, Assistant Executive Director, Directors Guild of America
  • Dana Lustig, Principal, Dana Lustig Productions
  • Darrien Michele Gipson, National Director, SAGindie
  • David Austin, EVP, Bridgestone Multimedia
  • DeVon Franklin, Producer & CEO, Franklin Entertainment
  • Felix Tsang, Sales and Acquisitions Manager, Golden Scene Company Limited
  • Geena Davis, Actress, Producer, Activist
  • Gerren Crochet, Packaging Agent, Film Finance and Distribution, The Gersh Agency
  • Hanny Patel, VP, Video Marketing, AT&T Entertainment Group
  • Ian Bricke, Director, Content Acquisition, Netflix
  • Jen McGowan, Director
  • Jesse Sisgold, President/COO, Skydance Media
  • Jim Whitaker, Producer, A Wrinkle in Time
  • Joe Chianese, EVP, EP Financial Solutions
  • John Penotti, President, Sidney Kimmel Entertainment
  • Kay S. Wolf, Senior Representative/Member Organizing Department, Writers Guild of America West
  • Kevin Downes, Producer & President, Kevin Downes Production & South West Film Group
  • Kevin Iwashina, Founder & CEO, Preferred Content
  • Kiska Higgs, Head of Acquisitions and Co-Productions, Focus Features
  • Laurens Grant, Director & Producer
  • Lisa Remington, Producer
  • Lisa Wilson, Partner, The Solution Entertainment Group
  • Lucy Mukerjee-Brown, Director of Programming, Outfest & Newfest
  • Mark Damon, CEO & Chairman, Foresight Unlimited
  • Martin Katz, Founder and President, Prospero Pictures
  • Neema Barnette, Director
  • Patrick Frater, Asia Bureau Chief, Variety
  • Paul Bales, Partner, The Asylum
  • Paul Hanson, CEO, Covert Media
  • Paul Hertzberg, President & CEO, CineTel Films, Inc.
  • Pilar Alessandra, Instructor/Consultant, On The Page
  • Rebecca Cammarata, Director of Development, Stay Gold Features
  • Richard Botto, Founder & CEO, Stage 32
  • Rick Bonn, Head of Development & Acquisitions, Pure Flix Entertainment
  • Russell Levine, CEO, Route One Films
  • Sam Brown, Head of Production, STXfilms
  • Shirley Davis, Executive Vice President, Physical Production, Alcon Entertainment, LLC
  • Stefan Lütje, Partner/Shareholder, Greenberg Traurig, LLP
  • Steve Chan Chi-Fat, Director, Weeds on Fire
  • Tania Jones, VP of Marketing & Customer Service, Shift72
  • Thomas Hughes, EVP, Worldwide Digital Distribution, Lionsgate
  • Tobin Armbrust, President, Worldwide Production & Acquisitions, Virgin Produced
  • Tom Ara, Shareholder, Greenberg Traurig, LLP
  • Vicky Wong, Director, Trivisa
  • Wendy Calhoun, Writer/Producer, EMPIRE, NASHVILLE, JUSTIFIED

 

Conference Schedule

 

Friday, November 3

Finance Conference I: The Big Picture

  • The Future of Global Film Finance
  • Spotlight Sessions

 

Saturday, November 4

Pitch Conference

  • Pitching Essentials
  • The 2-Minute Pitches

 

Sunday, November 5

Finance Conference II: Funding Films Today

  • Producing Studio Films with Independent Budgets
  • The Film Finance Matrix: From Script to Screen

 

Monday, November 6

Production Conference

  • Producing for the Pre-Sales Marketplace
  • What They Want: Inside the Studios

 

Tuesday, November 7

Distribution Conference

  • Working with Sales Agents
  • The Future of Video On Demand

 

Roundtable Schedule

 

Thursday, November 2

  • The Changing Hong Kong Movie Scene: What is New, How and Why?

 

Saturday, November 4

  • Building A Future For LGBTQ Film

 

Sunday, November 5

  • The Passion of the Film: Reaching the Faith Community
  • The Future is Female

 

Monday, November 6  

  • Distributing & Monetizing Feature Documentaries

 

Tuesday, November 7

  • Working with the U.S. Guilds

 

Writers Workshop Sessions

 

Sunday, November 5

  • You Had Me At Page One
  • The Art of Cinematic Storytelling: Transforming Your Premise Into An Engaging Screenplay

 

Monday, November 6

  • ReVision: Seeing Your Script With New Eyes
  • Writing Compelling Characters

 

Special Events will include Engage: Navigating Hollywood’s Shifting Landscape, presented by Pepperdine Alumni Affairs and Pepperdine’s Institute for Entertainment, Media, and Culture.

 

Visit AmericanFilmMarket.com/programs-events to view the full program.

 

The American Film Market is produced by the Independent Film & Television Alliance, IFTA-online.org. More information on the AFM can be found at: AmericanFilmMarket.com

 

About the American Film Market

 

The American Film Market is the world’s largest motion picture business event. Over 7,000 industry leaders converge in Santa Monica for eight days of deal-making, screenings, conferences, networking and parties. Participants come from more than 80 countries and include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press and all those who provide services to the motion picture industry.

 

Unlike a film festival, the AFM is a marketplace – with over 200,000 square feet of exhibition space – where production and distribution deals are closed. In just eight days, more than US$1 billion in deals will be sealed — on both completed films and those in every stage of development and production.

 

Participants may view more than 500 screenings of 300+ films – 29 new films every two hours – the majority world or U.S. premieres. Titles range from big budget blockbusters that will be released by the major studios to lower budget art and genre films recognized at international film festivals.

 

With 7,000 attendees, 500 screenings, 300 exhibiting distributors, and the industry’s largest Conference series, AFM is the pivotal destination for independent filmmakers and business people from all over the world.

Deals

    

About American Film Market Dailies

WOLF Jonathan
(IFTA)

The AFM is not a festival - it is the largest motion picture market in the world. 8,000 industry attendees, including producers, distributors, directors, agents, writers, lawyers & bankers. Over 540 films screened, most world or U.S. premieres.

$US3 Billion spent annually by participants to produce films
8,000+ industry professionals
2,000+ new films and projects
1,000+ production companies
400+ distributors
540+ films screened
100+ world premiers 
70+ countries represented
50+ thought leaders speaking
7 days of networking activities
1 beachfront campus that covers it all

 


Santa Monica

United States



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