Mary
Harron seems to have done the impossible
in creating a credible screen version
of one of the bloodiest works of intended
literature, American
Psycho. In fact, Harron,
along with co-screenwriter Guinevere
Turner, has managed to delineate far
better than author Brett Easton Ellis
the satirical aspects of the story,
bringing to the fore the humour implicit
in some of the book's most outrageous
passages.
Brilliantly
conceived opening credits trun the tables
on viewers who will carry a lot of publicity
baggage into the theatre and at the
same time hint at some of the film's
themes.